Nicole Kidman as Satine in Moulin Rouge! (2001)
friendly reminder that whatever you’re doing right now, Bach probably did it better with four-part fugal harmony, counterpoint and perfectly planned figured bass for organ so stfu
thanks
Great question.
3-Iron (2004, Kim Ki-duk)
A Room with a View (1985, James Ivory)
Amélie (2001, Jean-Pierre Jeunet)
An Education (2009, Lone Scherfig)
Badlands (1973, Terrence Malick)
The Beautiful Person (2008, Christophe Honoré)
Carol (2015, Todd Haynes)
Chungking Express (1994, Wong Kar-Wai)
Damage (1992, Louis Malle)
Eyes Wide Shut (1999, Stanley Kubrick)
Goodbye, First Love (2011, Mia Hansen-Løve)
I Am Love (2009, Luca Guadagnino)
In the Mood for Love (2000, Wong Kar-Wai)
In the Realm of the Senses (1976, Nagisa Ōshima)
L’Eclisse (1962, Michelangelo Antonioni)
La Notte (1961, Michelangelo Antonioni)
La Piscine (1969, Jacques Deray)
The Last Mistress (2007, Catherine Breillat)
Le Bonheur (1965, Agnès Varda)
My Summer of Love (2004, Pawel Pawlikowski)
Notorious (1946, Alfred Hitchcock)
Perfect Sense (2011, David Mackenzie)
Roman Holiday (1953, William Wyler)
Rust and Bone (2012, Jacques Audiard)
your name. (2016, Makoto Shinkai)
Reading “!!!!!” is like trying to scream with no mouth
Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.
Ferris Bueller’s Day Off (1986) dir. John Hughes
To see the world, things dangerous to come to, to see behind walls, to draw closer, to find each other and to feel. That is the purpose of life.
The Secret Life of Walter Mitty (2013) dir. Ben Stiller
R. Schumann: Advice for Young Musicians
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